The Paris Express

 The Paris Express by Emma Donoghue

A slow burn of a story that starts with people boarding an express train to Paris on Oct 22,1895, and building in intensity until it arrives at its destination with a spectacular crash into the Montparnasse staion. That's not a spoiler as this is based on a true story with the ending a matter of public record. At the close of the novel the author elaborates on the news story, explaining the changes and additions she made in her novel.

There are quite a number of characters, divided among the three third-class, two second class, and two first class carriages. In addition there is the engine, the post and two baggage carriages, and half-way along the route a private carriage is added. Toward the end I was lost as to who was in what car - and it made a difference - so I tried to make a diagram. But then I got so involved in the story I just had to keep reading to see how it would end for each of these people I'd come to know. I went back to the diagram later but found I'd have to re-read almost the whole thing to get it right. This is a book that really needs to include a map of the train, or at least a list of characters and where they were. It would be much easier to follow. 

The characters include:

 Mado, a 20 yr old anarchist/feminist carrying a homemade bomb

Henry, an African American painter, fleeing racism in America.

Cecile, a pregnant woman who goes into labor on the train.

Blonska, a Russian immigrant who becomes aware of what Mado is hiding.

Hakim, who goes from car to car selling coffee from a large tank strapped to his back 

Maurice, a 7 yr old boy travelling for the first time by himself.

Alice, a secretary traveling with her boss.

The Christophle family, traveling in the private car.   

Guillaume, who's driving the train

Victor, the stoker

Leon - senior train guard

Jean - Junior train guard

Point of view changes from person to person, letting us get to know each one and what they are about, bringing depth to the story and slowly increasing the tension as the train gets nearer the end of its run. Knowing for certain there will be a devastating crash at the end adds to the effect. By then you care about these people and are afraid for them. 

Having finished it I don't really need to sort out the cars and passengers anymore but I think I will anyway. I'll probably re-read most of it in the process, except for one rather lurid scene between two men in a washroom. I can't see how that contributed to the story at all, but it surely does seem as if every comtemporary novel now must have a steamy scene or two. As a society it strikes me as odd that we all have doors on our bedrooms for privacy - it seems we don't want others watching our private moments - yet we want to watch/read about the private moments of others. We've become a society of voyeurs, not an encouraging thought, but I digress....

I liked this one for it's character development, dialogue, differing viewpoints and the interesting world it created inside this train. I wished I could follow some of these characters after the accident to see how it affected them and how they would then live out their lives. 

Not wanting the story to end is, I think, a pretty good recommendation for any book.

New York 2140

 New York 2140 by Kim Stanley Robinson

Another climate change tome from Kim Stanley Robinson. It's hefty, but really fun to read. 

The lower part of New York City in 2140 has been flooded by rising sea levels, as have most of the other coastal cities in the world. The streets are canals now and people still living in those areas get around in boats instead of cars. Buildings partly underwater are eroding unless they were built on bedrock; those ones are still standing solid and filled with residents. Even underwater there are people living and businesses operating, down where it's easier to hide - yourself or any questionable activities you may be involved in.  

This novel focuses on one particular building, the Met Life Tower, and its residents: Vlade, the building superintendent; Amelia, an influencer who live-streams from her blimp as she moves endangered animals to safer environments; Franklin, a financier; Charlotte, a housing advocate and chairperson of the Tower tenants assoc.; NYPD Inspector Gen (Gen is her name, not her title); Stephan and Roberto, two young boys who hunt for underwater treasure and occasionally need rescuing; and Mutt and Jeff, hackers living in the "hotello" at the top of the Met Tower.

The story begins with Mutt and Jeff being kidnapped, Inspector Gen investigating. The kidnapping is connected to finance, Franklin's area of expertise, and eventually all the characters will play a part in the hunt for the missing men, becoming a family of sorts along the way. 

The story is at times absolutely riveting, but a few sections - like detailed explanations of financial matters - I found tedious, but then I'm not a financier. I liked the story, the climate science, and the way the characters and their relationships were developed - especially Vlade, he's a wonderful character. 

This book, like the author's The Ministry For the Future, is full of details from his seemingly encyclopedic knowledge of climate change, and here, building construction and finance as well. It's an education if you can stick with it through all the particulars and technicalities. When I finish one of his novels I feel like I've really accomplished something, and that's not a caution but a recommendation. 

A challenge, and well worth it!

The Glass Chateau

 The Glass Chateau by Stephen Kiernan

France, 1945. Much of the country lies in ruins, as does the home of Asher, a man tormented by the memory of his wife and two year old daughter being shot by a German soldier. His furious need for revenge led him to join the Resistance where he did things of which he'd never in his life thought himself capable. Now he carries the weight of those actions in addition to his grief and unmitigated rage. Without purpose he wanders, like many others, from place to place, seeking only a bit of food and to survive another day. 

When he hears of a place, a sanctuary, where it is said men have gone and found some kind of peace, he sets out to find it, in time coming to the door of Le Chateau Guerin. Hoping only for a meal, he is surprised to be welcomed, and given a room to sleep in and work to do. His job will be to feed the furnaces burning day and night as glass is made to replace the blown out windows of France's cathedrals. In time he'll move on to learning the delicate skills needed for making stained glass and will come to find he has a talent for it.

He is only one of several broken souls being cared for at the Chateau, each carrying their own scars and secrets. As Asher settles in he fears what will happen if they should find out not only what he's done, but who he is.

A moving story with writing that seemed to droop a bit toward the end but still offered a satisfying conclusion. It was the glass-making aspect that first drew me to the book, but it also helped me see the aftermath of war from a different perspective. I'd never thought about damage done to the many beautiful cathedrals of Europe or what it would take to repair them and was interested to learn about that. Those things and the convincing characters made this a very enjoyable read. 

James

 James by Percival Everett

A companion book - or perhaps the author's setting straight of  - The Adventures of Huckleberry Finn. It begins by following Huck's story as told from the viewpoint of the slave, Jim, then veers off into something very different. 

I didn't enjoy the Huck book or this one either. For one thing, Jim in the first book is a sage - wise, with a rich thought life and unending patience. In this one Jim becomes a cold-blooded murderer, an angry man whose anger, yes, is justified, but not very relatable to who he was in Huck. We are all certainly capable of all kinds of evil we think we aren't, but for me the change here was just too drastic.

I was looking forward to reading about Jim, the only character I liked in the Huck book, but I didn't recognize him in this story.

The Women in Black / This Calling Master

 The Women in Black by Madeleine St. John

A charming story about ladies working at a dress shop in the late 1950s. I was doing a poor job of putting down my thoughts about this book so I'm going to direct you to a better review here. It says everything I wanted to say in a far more articulate manner than I could have. 

I listened to the audio from Chirp Books and loved the narrator, but still think I might have liked the book better if I'd read a hard copy. Audio books aren't conducive to much thinking about what you're reading and I do think this one deserved a bit more than I could give it.   

This Calling Master by Steven Evans

I don't know what made me think I'd want to read this, but there it was on my Kobo so something about it must have appealed to me at one time. Half way through it didn't seem to be going anywhere, but I finished it anyway and now cannot for the life of me think why. 

It's about Michael who lives alone, has a girlfriend he hasn't seen for at least a couple of years, and holds down a mundane job with an insurance company. He doesn't have any real friends but doesn't mind as he's not sociable anyway. 

He does have one interesting hobby. Calling himself an urban archeologist, he breaks into abandoned buildings at night to look around. He wanders through the rooms checking out old furniture and other belongings left behind, taking home anything he thinks could be useful someday. 

One night he's in an old boarded up mansion when the door opens and three men come in carrying another who's been shot. Michael hides in a pantry and listens to them argue about the crime they'd just committed and whether or not to get help for the guy bleeding out on the table. 

From there it gets ridiculous. Michael does all kinds of terribly risky things but for some reason he never gets caught or hurt. It's like he's two people - the guy vegetating at home in his messy apartment doing nothing but whining about  the girlfriend who doesn't answer his calls or letters, and the guy skulking around at night who seems to have skills not learned at the office, getting involved in situations illegal and even deadly.  And he gets away every time. He commits a pretty bloody revenge murder and still, no consequences.    

In the end he gets a new job and moves away. Everything is fine. What?!

So, is the point of the story that murder is ok when a good guy takes out a bad guy who killed a different good guy? If this was a paperback I'd throw it somewhere but I don't want to break my Kobo so I'll just emphatically hit "Remove from My Books" a few times. 

I want my 8 hours back. 

The Best Part of Us

 The Best Part of Us by Sally Cole-Misch

Eleven year old Beth loves spending summers on her grandparents island near the Canadian border. As a young married couple they bought the island, built a cabin and cleared walking paths though the forests and along the cliffs. Beth's father spent his childhood summers there and loves it as Beth does, but her mother spends those few weeks every year anxious for the safety of her family. The river, the cliffs, the rocky trails - all threats to the ones she loves. 

When Beth find indiginous artifacts near the fort she built with neighbour, Ben, she wants to show them to him but her family says no. Her grandfather knows of another family who were forced to cede five acres of their property to the Ojibwe people when artifacts were discovered on their land. He is adamant that he will not give up an inch of the land he paid for and worked hard to maintain most of his life. 

Then a storm blows in, Beth's sister gets hurt and her brother goes missing. In the midst of their grief and fear they receive yet another devestating blow when they are ordered off the island, given 24 hours to pack up and leave the place that means so much to them.

Skip 14 years into the future and we find Beth married with a son and working in the city. Her grandfather, realizing he doesn't have much time left, writes two wills and leaves it to Beth to decide which one he should sign. One will gives the island to the Ojibwe people, the other leaves it to Beth. 

If she goes back to the place that took her brother from them, her mother may never forgive her, further fracturing a family already distant and angry. But she sees no way to make a decision without returning to the scene of both her happiest memories and the trauma that has haunted her family every since. She has to see for herself if anyone is living there now, if the cabin still stands, if the Ojibwe have taken it over, or if it's been abandoned altogether. 

Descriptions of the island are rich and memorable. I wanted - still want - to be there. Weeks after finishing the books I miss the smell of the pines and sea air. It was just that real.  

The characters are well-rounded and believable, each one necessary to the story. I can't think of any I didn't like, and though I may not have liked everything they did, the author made them real and relatable so their motivations could be understood.

The plot was a little slow starting - appropriate really to the setting - but later it had me reading too late, needing to see what would happen. The storm scene is particularly intense. 

I was left with a few unanswered questions - the plot set up a showdown between Beth and her mother that then never took place, and things seemed to work out maybe a little too easily in the end. Still it was a wonderful story. I love an island story and from this one, about finding our place in family and in the natural world, it's the island I will carry with me.